Reviews

The art of an energy blast – a review of …And Oceans’ “As in Gardens, so in Tombs”

Reviews 28.11.2022

Enter the Twilight Zone – review of Allen/Olzon’s “Army of Dreamers”

Reviews 25.11.2022

Of Baudelaire and Broken Crowns – a review of Décembre Noir’s “Pale Serenades”

Reviews 24.11.2022

Asterise’s debut album “Two Worlds” is a great starting point

Reviews 23.11.2022

Imagine if Fellini went metal – review of Avantasia’s “A Paranormal Evening With The Moonflower Society”

Reviews 22.11.2022

Epica’s “The Alchemy Project”: the new mini-album of epic collaborations

Reviews 22.11.2022

Weigh anchor and hoist the mizzen, it’s time to sail with The Privateer – review of “Kingdom of Exile”

Reviews 22.11.2022

If you thought that deathcore can’t make you cry, think again; Lorna Shore “Pain Remains” album review

Reviews 21.11.2022

The dark and melancholic monster: Review of Therion’s new album “Leviathan II”

Reviews 17.11.2022

Christmas has never been so metal – review of Raskasta Joulua’s “Viides Adventti”

Reviews 15.11.2022