Reviews

Genre-fluid masters are back – Lord of the Lost ‘Blood and Glitter’ album review

Reviews 7.1.2023

Beyond The Black state who they really are in their Self-Titled album “Beyond The Black”

Reviews 4.1.2023

Feuerschwanz

Feuerschwanz’s “Todsünden”: battle hymns and medieval headbanger parties

Reviews 29.12.2022

Primitive yet magnifique – Review of Satanic Warmaster’s “Aamongandr”

Reviews 29.12.2022

Dark and cold masterpiece: Review of Varmia’s new EP “Prolog”

Reviews 26.12.2022

Jigsaw of redemption – a review of Child of Caesar’s “Spirit & Liberation”

Reviews 14.12.2022

A colossal marriage between Elysium and Abyss – a review of Victoria K’s “Kore”

Reviews 13.12.2022

Its full steam ahead – Review of Black Beast’s “Arctic Darkness”

Reviews 13.12.2022

Heavy metal is far from dead – review of Liv Sin’s “KaliYuga”

Reviews 13.12.2022

Symphonic metal and anime are a match made in heaven – review of Everfrost’s EP “Frostbites”

Reviews 10.12.2022