Reviews

Let’s burn the world’s last dancefloor – Review of Turmion Kätilöt’s “Omen X”

Reviews 24.1.2023

Standout colourful moods – Review of Riverside’s ID.Entity

Reviews 20.1.2023

Here’s the perfect formula for a chemical Rendez-Vous – review of The Abbey’s “Word of Sin”

Reviews 16.1.2023

Katatonia shines in a starless sky

Reviews 12.1.2023

The yinyang of Love and Death – review of Ville Valo’s solo album “Neon Noir”

Reviews 12.1.2023

In Flames have found a perfect balance between the old-school and the modern in their new album “Foregone”

Reviews 10.1.2023

Adventure metal at its finest – review of Twilight Force’s fourth album “At The Heart of Wintervale”

Reviews 7.1.2023

Genre-fluid masters are back – Lord of the Lost ‘Blood and Glitter’ album review

Reviews 7.1.2023

Beyond The Black state who they really are in their Self-Titled album “Beyond The Black”

Reviews 4.1.2023

Feuerschwanz

Feuerschwanz’s “Todsünden”: battle hymns and medieval headbanger parties

Reviews 29.12.2022