Julia Suloinen

“We are quite open-minded, to say the least”: Saku Solin from Turmion Kätilöt talks about new album “Omen X”, self-expression and horror movies

Interviews 30.12.2022

“We like songs like “The Bad Touch” to make a party in our own world” – Hauptmann from Feuerschwanz about the upcoming cover-album “Todsünden”

Interviews 29.12.2022

Feuerschwanz

Feuerschwanz’s “Todsünden”: battle hymns and medieval headbanger parties

Reviews 29.12.2022

“We know who we are, and all of the stuff we are doing feels so right, and we have found ourselves” – interview with Jennifer Haben of Beyond The Black

Interviews 7.12.2022

Devin Townsend Lightwork

Devin Townsend’s “Lightwork” is multilayered kaleidoscopic arthouse in a shape of a musical album

Reviews 7.12.2022

“As always, you can expect me to shake the ground” – exclusive interview with Tarja Turunen about her “Best Of: Living The Dream” release

Interviews 1.12.2022

Epica’s “The Alchemy Project”: the new mini-album of epic collaborations

Reviews 22.11.2022

The dark and melancholic monster: Review of Therion’s new album “Leviathan II”

Reviews 17.11.2022

Skid Row returned to their 80s roots with the new album “The Gang’s All Here”

Reviews 14.11.2022

Dreamtale`s “Everlasting Flame”: majestic power-metal with two new voices

Reviews 12.11.2022