Another valuable addition to the death metal pantheon emerges as Suffocation unveils their latest opus, “Hymns from the Apocrypha.” This album is an immersive dive into the suffocating depths of their musical mastery, skillfully putting together a tapestry of chugging guitar riffs, intricate technical passages, and an onslaught of brutal drumming.
In the ceaseless pursuit of heaviness that has defined the metal genre since its inception, it might seem that we’ve seen it all. Some bands opt for technical wizardry, while others push the boundaries of extremity with primal chugs and deliberate slow-tempo breakdowns. Then there are those who choose the path of speed, with blazing riffs, relentless blast beats, and machine gun-like double kicks. But in the realm of extreme metal, Suffocation stands apart, pushing the limits to absurd extremes, and mixing those elements altogether.
Their compositions are a fascinating juxtaposition of technical prowess and brute force. Complex, technical riffs are intertwined with bone-crushing caveman chugs for the sole purpose of crushing your skull and sending shockwaves through your brain.
Derek Boyer’s thunderous bass patterns punctuate the sonic landscape, adding an extra layer of brutality that pierces through your ears. Meanwhile, Eric Morotti’s drumming technique shines as he relentlessly pounds on the drum kit with inhuman force.
Not to be overlooked is Christian Donaldson’s role in the production of the album. His expertise in extreme metal production is evident, as he manages to leave his mark on the sound without compromising Suffocation’s distinctive identity. “Hymns from the Apocrypha” stands as a testament to his mastery of the craft.
Suffocation’s latest offering is a remarkable musical journey from start to finish, cementing their place as formidable pioneers in the realm of brutal death metal.