The music video for the lead single from their most recent album, “This Used To Be Heaven,” has just been released by AngelMaker, as reported by theprp. That eerie medieval video was written and directed by Mitch Oliver, a member of the Canadian deathcore group.
We are extremely excited to follow up our brand new album with a music video for the title track “This Used To Be Heaven.” This video means a lot to us and we are extremely thankful to have had the opportunity to work with such an incredible team of artists to bring this to life. This means the world to us.
Upcoming shows with Whitechapel, Bodysnatcher and Disembodied Tyrant:
NOV 28 ST LOUIS, MO – DELMAR HALL
NOV 29-KANSAS CITY, MO – THE TRUMAN
NOV 30-OKLAHOMA CITY, OK – DIAMOND BALLROOM
DEC 2-LITTLE ROCK, AR – THE HALL
DEC 3-BIRMINGHAM, AL – IRON CITY
DEC 4-PENSACOLA, FL – VINYL MUSIC HALL
DEC 5-JACKSONVILLE, FL – FIVE
DEC 6-ORLANDO, FL – HOUSE OF BLUES
DEC 8-RICHMOND, VA – THE NATIONAL
DEC 9-NASHVILLE, TN – MARATHON MUSIC WORKS
DEC 10-CHATTANOOGA, TN – THE SIGNAL
DEC 12-MYRTLE BEACH, SC – HOUSE OF BLUES
DEC 13-ASHEVILLE, NC – THE ORANGE PEEL
DEC 14-KNOXVILLE, TN – THE MILL & MINE
AngelMaker levels listeners with a furious, diverse, and violent extremity. Across a handful of split EPs and other releases, including two full-length albums, the North Vancouver six-piece make their musical intentions clear. AngelMaker creates deathcore of the highest order, injected with blackened thrash, a smattering of power violence, and the urgent ferocity of underground hardcore. Like genre standard-bearers The Black Dahlia Murder, Despised Icon, and Whitechapel, AngelMaker summon the most brutal elements of death metal and combine it with the coldest permafrost of black metal, without the theatricality sometimes clouding the genres. The music unleashed by AngelMaker in 2021, crafted with producer Tim Creviston (Spiritbox, Misery Signals), and mixed and mastered by Will Putney (Thy Art Is Murder, Knocked Loose), is the band’s most confident and destructive yet. The band’s dual-vocal and triple-guitar composition allows for new and diverse explorations of extremity, setting AngelMaker both inside and apart from the traditions of the deathcore subgenre. Beyond mere technicality and devastation, AngelMaker trade in emotion, eliciting unique feelings of sorrow, regret, anger, fear, and depression, taking listeners on immersive journeys within the songs. As the British Columbian ensemble’s first new material in roughly two years seeps out from the underground in 2021, diehards and newcomers alike discover new revelations in their music.