Timeless music improved even more – review of “Balls To The Wall Reloaded” by Dirkschneider

“Balls To The Wall” is one of the most important and significant albums in heavy metal history. The record, which was first published by Accept in 1983, became a rallying cry for strength, solidarity, and defiance. Forty years later, Udo Dirkschneider returns to this classic album with “Balls To The Wall Reloaded”, a daring and ambitious reworking that brings the original songs back to life.

Not only do the tracks sound fresh, but I think that this is an improved version of the whole record. The production is sharper, the performances tighter, and the excitement real. Udo’s characteristic raspy growl is still as powerful as ever, demonstrating that his unique vocal ability has not diminished with time (and with extensive touring on the way, that is a huge tool that works in his favour!).

The revised versions maintain the raw edge that made the original so captivating while adding a new intensity that fits with contemporary production standards while remaining faithful to the essence of each song. I absolutely love how the bass is so present in the mixing. A big kudos to Peter Baltes’s spectacular work!

The participation of many guests in the record is a lovely characteristic that spiked my interest even more. While “London Leatherboys” with Biff Byford is simply exquisite, you’ll have to excuse me and sign a vote for the female team because “Winter Dreams” with the queen Doro and “Love Child” with Ylva Eriksson trump literally everything else!

The album’s capacity to transcend generations is one of its most captivating features. Newer listeners are given a sophisticated yet accurate portrayal of “Balls To The Wall”‘s importance, and die-hard fans will savor the nostalgia. Dirkschneider is still as strong forty years later, and this is evidence of its eternal appeal. Long live “Balls To The Wall”!