Reviews

An innovative progressive debut – review of “Presence” by Kick The Giant

Reviews 17.6.2024

Dancey, dark and addictive: Review of Priest’s fourth studio album “Dark Pulse”

Reviews 12.6.2024

A triumph of aggressive artistry – review of “Amartia” by Bloody Falls

Reviews 6.6.2024

Much more than another “next Angra” – review of Auro Control’s debut album “The Harp”

Reviews 3.6.2024

Echoes of metal brilliance – review of Evergrey’s 14th studio album “Theories of Emptiness”

Reviews 3.6.2024

Making metal evil again – review of The Troops of Doom’s “A Mass to the Grotesque”

Reviews 30.5.2024

Learning history the heavy-power metal way with New Horizon’s album “Conquerors”

Reviews 28.5.2024

From dawn to ascension – review of Elvellon’s second album “Ascending in Sinergy”

Reviews 13.5.2024

A beautifully complex exploration of the subconscious – review of Pallbearer’s fifth album “Mind Burns Alive”

Reviews 7.5.2024

An average affair – review of Kerry King’s debut album “From Hell I Rise”

Reviews 25.4.2024