Voivod have revealed that Christine McDonald, the partner of lead vocalist Denis “Snake” Bélanger has passed away. The band released a statament on social media. On behalf of the Chaoszine team, our deepest condolences to Bélanger, McDonald’s family, friends and loved ones.
It is with heavy hearts that we share the passing of Christine McDonald, beloved partner of our singer Denis “Snake” Bélanger, after a long and courageous battle with cancer.
Christine was a gifted painter, a warm presence, and a dear friend to so many in the Voivod family. Snake stepped away from touring this year to be by her side, and he was with her until the very end.
In his own words: “She passed away quietly in my arms… You’re free now, my love.”
Our thoughts are with Denis, Christine’s family, and everyone who loved her. We ask that you respect their privacy during this difficult time.
Rest in peace, Christine.
Established in Jonquière, Quebec, in 1982, Voivod forged a singular identity in heavy music by fusing elements of the New Wave of British Heavy Metal, early hardcore punk, and 1970s progressive rock. Lyrically, the Canadian outfit frequently explored Cold War politics, post-apocalyptic narratives, and sci-fi themes. Their 1987 release, “Killing Technology”, marked a pivotal stylistic transition, famously placing their recurring mascot — Korgull, illustrated by drummer Away — into a futuristic space setting. The group shifted away from pure speed toward intricate storytelling on 1988’s “Dimension Hatröss”, relying on complex time signatures and dissonant, high-register guitar work from Piggy alongside Blacky’s unique chordal bass tones.
As one of the earliest Canadian thrash metal acts to achieve international acclaim, Voivod reached their commercial high-water mark with 1989’s “Nothingface”, which featured a prominent cover of Pink Floyd‘s “Astronomy Domine”— a tradition of progressive rock tributes that continued with Pink Floyd‘s “The Nile Song” on “The Outer Limits” (1993) and King Crimson‘s “21st Century Schizoid Man” on “Phobos” (1997).