Metal, Hardcore, Indie, Rock
Shortly after their fourth GRAMMY® nomination, Dream Theater have released a live video for “Night Terror,” the Best Metal Performance nominee from their latest album, 2025’s “Parasomnia.” The video is a new preview of the live album “Quarantième: Live à Paris”, recorded during the sold-out leg of their 40th anniversary tour at the Adidas Arena in Paris. Watch the video here:
“Quarantième: Live à Paris” is available from 28 November via Inside Out Music/Sony Music. The album features a set list spanning the band’s entire career, with classics such as “Metropolis Pt. 1“, “Panic Attack“, “Octavarium” and “Pull Me Under” among other fan favourites. The show was recorded in front of a large crowd at the Adidas Arena. You can get your copy by clicking here: https://dream-theater.lnk.to/Quarantieme-Album
Tracklist:
CD1:
1. Metropolis Pt. 1
2. Overture 1928
3. Strange Déjà Vu
4. The Mirror
5. Panic Attack
6. Barstool Warrior
7. Hollow Years
8. Constant Motion
9. As I Am
CD2:
1. Orchestral Overture
2. Night Terror
3. Under A Glass Moon
4. This Is The Life
5. Vacant
6. Stream of Consciousness
7. Octavarium
CD3:
1. Home
2. The Spirit Carries On
3. Pull Me Under
Blu-ray 1:
1. Metropolis Pt. 1
2. Overture 1928
3. Strange Déjà Vu
4. The Mirror
5. Panic Attack
6. Barstool Warrior
7. Hollow Years
8. Constant Motion
9. As I Am
Blu-ray 2:
1. Orchestral Overture
2. Night Terror
3. Under A Glass Moon
4. This Is The Life
5. Vacant
6. Stream of Consciousness
7. Octavarium
8. Home
9. The Spirit Carries On
10. Pull Me Under
An album that was fifteen years in the making, Dream Theater released their sixteenth studio album, “Parasomnia” on February 7, 2025, via their longtime label home, Inside Out Music/Sony Music. “Parasomnia” is a term for disruptive, sleep-related disturbances including sleepwalking, sleep paralysis, and night terrors. The album was produced by Petrucci, engineered by James ‘Jimmy T’ Meslin, and mixed by Andy Sneap. Hugh Syme returns once again to lend his creative vision to the cover art.
