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Reviews
Beyond The Black state who they really are in their Self-Titled album “Beyond The Black”
Reviews
4.1.2023
Feuerschwanz’s “Todsünden”: battle hymns and medieval headbanger parties
Reviews
29.12.2022
Primitive yet magnifique – Review of Satanic Warmaster’s “Aamongandr”
Reviews
29.12.2022
Dark and cold masterpiece: Review of Varmia’s new EP “Prolog”
Reviews
26.12.2022
Jigsaw of redemption – a review of Child of Caesar’s “Spirit & Liberation”
Reviews
14.12.2022
A colossal marriage between Elysium and Abyss – a review of Victoria K’s “Kore”
Reviews
13.12.2022
Its full steam ahead – Review of Black Beast’s “Arctic Darkness”
Reviews
13.12.2022
Heavy metal is far from dead – review of Liv Sin’s “KaliYuga”
Reviews
13.12.2022
Symphonic metal and anime are a match made in heaven – review of Everfrost’s EP “Frostbites”
Reviews
10.12.2022
Devin Townsend’s “Lightwork” is multilayered kaleidoscopic arthouse in a shape of a musical album
Reviews
7.12.2022
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