Reviews

Eight like cosmic equilibrium: Lynch Mob’s resilience shows off in “Babylon”

Reviews 5.11.2023

Bridging worlds through music is the power of Lalu – review of “The Fish Who Wanted To Be King”

Reviews 5.11.2023

Kings Crown’s debut album is a promising start for the Swedish band – review of “Closer To The Truth”

Reviews 5.11.2023

Edge of Forever’s latest album is shattering the boundaries of heavy metal – review of “Ritual”

Reviews 5.11.2023

Green Lung reveals a mystical and folkloric side of England with “This Heathen Land”

Reviews 30.10.2023

Spine by Myrkur cover art

Review of “Spine” by Myrkur — fresh, personal, non-conventional

Reviews 30.10.2023

Poppy’s fifth album is an artistic kaleidoscope of originality – review of “Zig”

Reviews 22.10.2023

Skiltron’s sixth album is the closest to perfection – review of “Bruadarach”

Reviews 16.10.2023

Rock n’ roll is more alive than ever – review of Vambo’s “II”

Reviews 16.10.2023

A folk metal intriguing debut – review of Vansind’s “Mørket”

Reviews 13.10.2023