“But that takes time. And you wanna do it right” – Alex Van Halen opens to the possibility of new unreleased Van Halen music

While still grieving Eddie Van Halen’s premature death, Van Halen drummer Alex Van Halen discussed his decision to write his memoir, “Brothers,” which has been characterized as a love letter to his younger brother, during a recent appearance on the podcast “Talk Is Jericho,” which is hosted by Fozzy frontman and professional wrestler Chris Jericho.

Ed and I were tight. We worked together, we played together, we did whatever. But when he was near the end of his life, because of COVID it was very difficult to visit him in person and to see him. There was always either a glass barrier or a plastic something surrounding [him]. The times that we could actually touch him were few and far between. And that really put everything in a strange kind of — I can’t explain it, but it didn’t feel right. So we really had no closure, in that sense, and everything was hurried near the end, again, because of the COVID issue. We didn’t really have a ceremony afterwards. He was cremated and his ashes were spread. This is my way of saying goodbye to him. And whatever you believe in terms of spiritual pursuits and all that, I think he’s still here, he’s still here with us in one way, shape or form — not to the point where he’s not allowed to go where he really wants to go. [Laughs] They call it a tether; you don’t wanna tether him to this dimension. So, Ed, whatever you wanna do is cool. We love you. And I just wanted to say that to the point of infinitum, whatever the expression is. It’s hard to describe what it’s like to not have someone in your life that has been there for 65 years. That’s a long, long time, and it wasn’t just a regular — and I’m not giving other people a hard time in terms of ‘my relationship was stronger than yours’. That’s not the point. It’s just that when you have something that’s taken out of your life after 65 years, it’s difficult. And I’m certainly not alone. I’m not saying I’m special or I should get a medal — no, it happens to a lot of different people. And I think one of the side effects of this book has been a lot of people have contacted me and said, ‘Reading this book has really given me a different way of looking at the parting with people who I loved.’ And I know that grief can be a common denominator, if you will, and that’s not my preference — my preference is the happier times — but with the good comes the bad. And everybody’s gonna go through it.

They also talked about the possibility of releasing new music.

I’ve talked about it loosely, and I am rather superstitious, but I can say a couple of things that I’ve mentioned before. We’re gonna go through the, quote-unquote, vault and go through some of the musical ideas that were there. On the one end of the spectrum is the fact that little licks don’t make a song. On the other end of the spectrum, some of those licks are so unbelievably powerful, it’s too bad that they ended up in the back of the vault, rather than being records. There are so many different variables in a band like ours. We don’t just walk in the studio and plan, ‘Let’s make a record,’ although we have done that to some degree. But it’s not a mechanical process for us. We go in and we play and see what happens, listen to it, invite a couple of people and then see what happens with that. And then you listen and you evaluate. If the next day, when you come in and listen to it, if it doesn’t kick you in the face like it did the first time, then maybe you should move on and do something else. Don’t hold on to an old idea just because it’s there. No. That’s not how we did it. Having said that, there were also a lot of bad ideas. [Laughs] That’s always the risk you run, but if you don’t do that, you will become — it’ll become inert. It’s called inertia, or whatever — entropy. Things will fall off and then you become less and less creative. And the other aspect of all of that is that you are in an open marketplace where you are being judged, and if you don’t do well in the marketplace, people are gonna go, ‘Maybe it’s time to do something else.’ And that is a real issue. But now that Ed’s gone, none of those things are really valid because all I have, and Wolf has, is all the recordings in the vault. And they will stay there until we figure out how and why and what to do with them. And again, you have to remember, it has to be on the level of where Ed and I, where we used to play. We’re not just gonna shovel it in. We have access to some of the greatest musicians on the planet, and a lot of ’em are more than willing to take a chance on some of the stuff.

And there’s plenty of it.

Oh, yeah. Probably three or four records, if not more. I’m serious. There was some good stuff, some good stuff in there. And you have to remember, when in the thick of it, sometimes the really great stuff kind of passes you by. And it’s not until you revisit it going, ‘Whoa, I forgot about that. This kicks ass.’ But that takes time. And you wanna do it right. I wanna do it right.

According to Alex, the audiobook version of “Brothers” includes a song that he and his brother wrote but had not yet been released. “Unfinished” is the final song they composed together, and it plays while Alex tells his narrative.

I don’t wanna use the word ‘spiritual’, but there is a connection with… Ed and I were very much a product of how our dad saw the world, and one of his favorite pieces of music was a song called ‘Unfinished’ by Franz Schubert. Actually, it wasn’t until I’d done this that I went back and looked at it. It turns out he had a lot of pieces that were unfinished. [Laughs] That seemed to be one of his major traits. So we had this song that was not completely finished yet. It was one of my most memorable songs that was constantly playing in the house. So I thought it was kind of a sign from some different dimension: ‘do this’. And as you can tell, I go off on a tangent that may or may not even be real, but I believe that stuff, man. There are a lot of things in this world that we do not know. There’s no explanation for them. All you have to do is just sit down, slow down and listen, which is easier said than done. [Laughs]