Way back when crossover wasn’t even a thing, Biohazard was already mixing the heavy-hitting energy of New York hardcore with the groovy vibes of metal and some sharp streetwise lyrics from hip-hop. Albums like “Urban Discipline” from 1992, with its anthem “Punishment,” and “State of the World Address” from 1994 really shaped a sound and an entire era. They sold millions of copies and showed that heavy music could push boundaries like never before.
Over the years, just like a lot of legendary bands, this group experienced its fair share of highs and lows, including changes in the lineup and some long gaps between albums. That’s why the release of their tenth studio album, “Divided We Fall”, is such a big deal! So, this isn’t just any new Biohazard album; it’s actually their first full-length record in more than ten years! And the big news? The classic, original lineup is back together: Evan Seinfeld, Billy Graziadei, Bobby Hambel, and Danny Schuler. Everything is produced, mixed, and mastered by Matt Hyde, who’s worked with Slayer, Hatebreed, and Deftones.
For fans who have been waiting for ages to experience that raw, unified energy, this album is more than just music—it feels like a homecoming. Make sure to circle the 17th of October in your calendar!
Could this album have kicked off any better than with a banger like “Fuck the system”?? I can totally see how much this song is going to get the moshpit going – such goosebumps! The energy is definitely there right from the beginning. After all these years, those guys still know how to get the crowd going and play awesome songs that make you want to move.
Some of the guitar intros feel really classical, but there are parts of the songs where the tempo slows down, almost making you hold your breath in anticipation of a big turnaround. Especially “Death of Me” is this slow, marching song that really slows down the album’s pace without losing any of its aggression, making you think that heavier stuff is just around the corner.
The dual-vocal attack approach is just so seamless, marking their classic signature to the album. It blends perfectly with the crossover of the songs. The voices really fill the tracks, almost like a call to action and a shout for protest. Honestly, there’s no song that can make my head stop moving! It’s just this intense, wicked energy.
This reunion really brings back the magic of their best works, but honestly, this album takes the cake. The sound and mixing are on a whole new level compared to some of their earlier stuff. With Matt Hyde’s touch it offers a fresh perspective on the genre that I wasn’t expecting. You get a well-rounded sound with clean, calibrated instruments, which is pretty unique for this style of music. When it comes to the composition, there’s definitely a nod to some of that early punk crossover, and even a blend of the Californian punk hardcore from the ’90s. For some, this might not feel groundbreaking, but for me, it really highlights a different level of musical growth.
Looking forward to see this performed live!
Tracklist: