Benedetta Baldin

Rock n’ roll is more alive than ever – review of Vambo’s “II”

Reviews 16.10.2023

“When it comes to rock and roll, I have to say that my vocals are inspired by Paul Stanley” – interview with Liverbox’s Ilkka Järvenpää

Interviews 13.10.2023

A folk metal intriguing debut – review of Vansind’s “Mørket”

Reviews 13.10.2023

Melodic rock and progressive bliss – review of Atlas’s second album “Build To Last”

Reviews 13.10.2023

Within Temptation turns resistance into darkness – review of “Bleed Out”

Reviews 6.10.2023

The enigmatic beauty and complexity of Linus Klausenitzer’s debut album “Tulpa”

Reviews 5.10.2023

Enchanting crescendo: discover Lycania’s maiden voyage into metal with “My Kingdom Come”

Reviews 3.10.2023

Break Me Down unveils “Not A Liar”, the first single from their upcoming album

Long live the queen – review of Doro’s latest album “Conqueress – Forever Strong And Proud”

Reviews 22.9.2023

Aural alchemy: the enigmatic allure of “A Dark Euphony” by Blackbriar

Reviews 18.9.2023